Quality Vocal Training Lessons

The detail of instructions in this program is superb. You are going to be taught how to take control of your voice, just like expert singers are taught to take control of theirs, including resonance, pitch, diaphragm, larynx and so on. You will really learn how to direct your voice efficiently. Some vocal training classes are simply inferior in comparison to this quality software.

In addition to the detailed vocal lessons, you will also learn how to write a song effectively. You will also be taught how to perform efficiently on stage. This online vocal training is definitely fit for those who would like to have a career in singing.

Included in this vocal training software is learning the ability to diagnose your voice. Your training is personalized so you can develop a unique singing style. You will also be taught proper breathing techniques so you can expand your vocal range. The lessons will require you to get rid of your bad habits. It might be difficult at first, but with the training provided in Vocal Release, you will eventually be able to do so.

Though this might be more appropriate for people looking forward to improve their skills, beginners are also qualified to use Vocal Release. If you are determined, you can easily learn the ways of a true singer with the help of this online vocal training program.

Why This Is The Best Choice

There might be other vocal training courses that you can attend, but you can be sure that Vocal Release will teach you all the skills and techniques that you need to learn as a singer. You can contact the staff of Vocal Release and ask for assistance regarding your singing problems, even before you buy the software. You will learn directly from experts who have years of experience in the singing field. They will pass unto you what they know so you can achieve your dreams.

Some students never improve because their instructors only give them generic advice. The best way to improve is to learn the art of singing in depth, which is how you will learn with the help of Vocal Release. You don’t have to attend mediocre vocal training classes which only give general lessons. You should seek the advice of expert help in order for you to progress.

It may not be in an instant, but you can very well rely on this singing program to aid you in achieving your goals. With the help of this vocal training program, you can improve your skills to a much higher level, maybe even surpass famous artists.

Detailed Instructions For Easy Learning

This vocal training software consists of several lessons that are full of vital information so you can readily apply what you will learn after each lesson. Singorama teaches everything that you need to learn for singing, starting from the most basic up to the most complex. This makes it ideal for both expert singers as well as those who are still learning how to develop their voices. You will be able to learn how to sing on your own with ease. You can also pick different music genres to practice. Now you can sing any song, be it rock, pop, or classical.

The lessons are very comprehensible with the help of both audio and visual materials. You will learn how to improve and control your rhythm, pitch, tone, and other necessary aspects of singing. This comprehensive singing software also has reference tools which can help you develop your skills not only in singing but in music generally. It includes eBooks, a virtual piano, and many other utilities that will help you.

This singing tutor software allows you to record yourself singing. You will be able to hear yourself sing and determine which parts need improvement. If you encounter any problems and need immediate expert help, Singorama has a team of expert instructors that you can consult via their email system. You can ask them for tips or techniques on how to improve your singing.

Getting More Than What You Paid For

Purchasing this singing software is definitely worth every penny. Singorama allows you to practice in your own home. This is cheaper as well as more convenient. You can take advantage of the features that it holds. Learning how to sing is definitely much easier with Singorama. You can be sure that every time you finish a lesson, you will want to learn more. What is best is that you can immediately apply what you are going to learn.

Beginners who are using this software have easily moved to learning more complex singing techniques. Advanced singers have also improved their singing skills in just a short period of time. This is truly unlike any other singing lessons software. With the help of Singorama, you can be sure to hear people applaud every time you finish singing a song on stage.

Before you can improve your singing voice, you need to objectively assess the current condition of your voice and your musical goals. Record yourself singing and play it back. Do you like the way your voice sounds? Most people are less than thrilled the first time they hear their own recorded voice.
Another way to improve your singing voice is to think about the singers you admire. What is it about their singing that you want to emulate? Think about other singers whose work you don’t care for. What don’t you like about it?

You can also improve your singing voice by listening to a wide range of singers and write down what you like or don’t like about each one. Pay close attention to singers who perform the type of music you’re interested in and whose voices are similar to what you want yours to become.

Finally, even if opera isn’t your thing, listening to a few opera singers will help you in your efforts to improve your singing voice. Focus on their tone quality, vibrato, phrasing, and dynamics. It’s probably best if they’re singing in a foreign language, so you aren’t distracted by the lyrics.

Why do you sing? It may seem like a silly question, but the answer is important as it is necessary to be committed when trying to improve your singing voice. Do you sing just for the joy of it, or did the church choir director twist your arm because they needed to fill a spot? (If that is the case, you should take it as a compliment. No matter how badly they needed people, they wouldn’t recruit someone with a horrible voice!) What kind of music do you want to sing? What are your musical goals? Do you hope to become a professional performer or music teacher, or do you want a role in the next musical at your local community theatre?

The answers to these questions will give you an idea of how to proceed. You are essentially determining where you are now, where you want to go, and mapping out the route by which to get there.

Aim high, but at the same time be realistic. Achieving your goals and dreams won’t happen overnight—it will take hard work, discipline, and dedication. Once you have your road map, make a plan and follow it. Be willing to seek help and take advice from experienced professionals. Their job is to help you improve your singing voice.

If you can’t find a local teacher or can’t afford their fees, you might want to look into online singing courses. The main disadvantage is that you can’t get immediate feedback on your progress, as you would from an in-person teacher. Online courses also tend to take a one-size-fits-all approach, whereas a teacher can offer an alternative strategy if a particular technique or exercise doesn’t work for you.

However, a high-quality online program, such as Singing Is Easy or Singorama, can teach you the fundamentals to improve your singing voice and polish your performance skills. Since there is no feedback from a teacher, it’s helpful to record your practice sessions and listen objectively when you play them back. You might want to also ask a trusted friend to listen and comment.

Objective feedback is important. You won’t improve your singing voice if you don’t know the specific vocal characteristics you need to work on. This doesn’t mean you should be hypercritical of yourself, just honest and realistic. Most online courses provide examples of good-quality tone for comparison purposes.

Any good method or course will require you to work and practice faithfully in order to reach your goal. If you are willing to do what it takes, you will improve your singing voice and be that much closer to your dream.

If gospel songs can be so powerful, why do they fall flat when the average church choir attempts them? To sing gospel music, you need a different mindset and different techniques than traditional, classical church music.

History suggests that people first learned to sing gospel from the Negro spirituals of the American South in the mid-to-late 19th century. African slaves were mostly illiterate (and in some areas forbidden by law or by their owners to become literate), so they were taught the Christian faith through repetitive call-and-response songs.

In a call-and-response song, a leader sings a line or phrase and the group repeats it back. There is usually a refrain or chorus that is sung by everyone. The structure is simple, the lyrics repetitive, and the emotion heartfelt.

Compare that to the classic hymns by such writers as Charles Wesley or Isaac Watts. Though beautiful, the lyric isn’t repetitive and there are multiple verses. A person, who can’t read, can’t sing them! Far too many choirs and congregations deliver them with little to no emotion. In some churches, there is a general belief that too much emotion is inappropriate or unseemly.

The mindset required to sing gospel is, “Make a joyful noise unto the Lord!” Relax, let loose, and have fun! That doesn’t mean you should ignore vocal technique, however. Some believe that, after opera, gospel is the most difficult and demanding type of music to sing.

Singing gospel well requires a powerful voice and very strong breath support. The phrasing is long, dramatic, and emotional. You are telling a story, and to convey it effectively you need to feel it and believe it yourself. Your listeners will be able to tell if you’re not authentic.

Sing Gospel Exercises – Fontanelli Exercise

If you want to sing gospel, the first step is to work on supporting and controlling your breath. A good way to achieve that is the Fontanelli exercise (named for the person who developed it). Stand with good posture and slowly breathe in through your mouth while mentally counting to four, then exhale slowly to another count of four, trying to expel all of the air you took in. Watch yourself in a full-length mirror to make sure you fully expand your midsection, and try to maintain that expansion while exhaling.

When you can easily do the exercise to a count of four, increase the count to five, then six, and so on. When you work up to seven or eight, add a hold phase. Breathe in for a count of four, hold for a count of four, and exhale to a count of four. Watch to make sure you achieve and maintain good expansion. Gradually increase the count.

Sing Gospel Exercises – Messa Di Voce

The next thing to work on this sing gospel exercises is dynamics. A good exercise for dynamics is called messa di voce (Italian for “placement of the voice”). Take in a good, well-supported breath and sing a comfortable pitch in the middle of your range. While sustaining the pitch, start very softly and gradually get louder, then gradually get softer again.

Sing Gospel Exercises – Expression

This may sound odd but in order to sing gospel really well you need to work on expression, study the text of your song. Try reading it aloud as if it were a poem or story, then try to sing it with the same expression you used in speaking it. Watch videos of great gospel singers, such as Mahalia Jackson (there are several on YouTube).

The words are paramount when you sing gospel. Remember, it originated as a way to teach people who couldn’t read, so they had to be able to understand the text. Enunciate your words as clearly as you can. Again, watching videos will be helpful.

Above all, have fun! More than anything else, singing gospel music is JOYFUL. Sing it like you really mean it.

It may seem counterintuitive–vocal warm-up exercises will prevent overuse injury? Yes. Your vocal folds are controlled by tiny muscles, and when they’re warmed-up they are more flexible, easier to use, and less susceptible to injury.

Before starting your vocal warm-up exercises, do some whole-body stretching and relaxation. Start with the “rag doll” exercise. From a standing position, bend forward at your hips, allowing your head and arms to dangle freely. Shake them a bit then, just let them dangle for another minute or so.

Follow that with a stretching exercise for proper posture alignment. Stand with your feet flat on the floor, about hip-width apart, and your arms at your sides. Bring your arms rapidly upward and across your body in a circular motion until they are over your head. Rising onto your tiptoes, take in a good, deep breath as you move your arms up.

As you slowly exhale, bring your arms back down to your sides and come back down to flat feet. Try to keep your chest up and shoulders back, as they were at the top of the stretch, after bringing your arms down. You are now ready to begin your vocal warm-up exercises.

The first vocal warm-up exercise uses a technique that goes by many names: buzz, bubble lips, lip roll, or lip trill. Exhale through puckered lips to create a vibration, sounding a bit like a motorboat or a “raspberry”.

You will do the buzz slide between three tones: the base tone, up a fourth, and back to the base (do-fa-do): in the key of C major, it would be C,F,C. Repeat, moving up a half step each time (C#, F#, C#, then D,G,D, then Eb, Ab, Eb, etc.). You can also do this on the syllable “ee” or “oo”, but the buzz forces you to use good breath support.

The second vocal warm-up exercise is the fifth-slide. Start on the fifth tone with the syllable “wee” and slide down to the base (so-do): in C major again, it would be G, C. Repeat on the same tones with “zoo”, then move up a half-step and repeat, “wee” and “zoo” on Ab and Db. Continue moving up by half-steps.
The third vocal warm-up exercise is the five-tone descending scale. Starting on the fifth tone, descend stepwise to the base: so, fa, mi, re, do. First do the syllable “na”, then “nay”, “noh”, and “noo”. Move up a half-step and repeat the scale on each syllable.

The fourth vocal warm-up exercise is a descending 8-tone scale (do, ti, la, so, fa, mi, re, do) on the syllable “noo”. Again, move up a half-step with each repeat. You can also try other vowel sounds, such as “nah”, “nay”, “nee”, or “noh”, or use “m” instead of “n” as the initial consonant. Try to feel your mask, or upper resonance, as you do this.

Follow that with a descending arpeggio: do, so, mi, do, on the syllable “nah”. Repeat on “nay”, “nee”, “noh”, and “noo”, then move up by half steps and repeat on each syllable again.

The final vocal warm-up exercise is the octave slide. Use the buzz and start on the base note; slide up an octave and back down to the base: do, do, do. Repeat on “oo”. Move up a half-step, do the buzz, and then “oo”. Continue moving up by half-steps.

Before you look for a teacher for voice lessons, take the time to define your goals as specifically as you can. Do you want to sing a solo in church on Christmas Eve, star in a community theatre musical, or be the next American Idol? Do you see yourself eventually teaching music? Or, do you simply want to be a healthier singer with better tone and breathe support?

The best way to find a good voice teacher is to talk with anyone you know who is involved in music—a school music teacher, church choir director, or perhaps the staff at a local music store. They should be able to recommend several teachers or a private voice lessons school in your area.

Most music stores keep lists of voice lessons teachers for referrals and/or have bulletin boards where local singing instructors can post flyers and business cards. They may even have teachers on staff.

College or university music departments can also be good places to find a teacher. Many advanced music students need teaching experience to complete their degrees, and private students like you can help them meet that requirement. Some music professors also take private students for voice lessons, but they are likely to charge much higher fees.

When you contact a prospective voice lessons teacher for the first time, be prepared to tell her a bit about yourself, such as your previous musical experience (piano lessons in grade school? church choir? school glee club?) and goals. You should ask about her expectations for practice time, whether she holds recitals for her students, her qualifications and experience, and her fees.

If you and your voice lessons teacher agree that you have a good fit, schedule your first lesson. Ask what, if anything, you should bring with you. Most teachers will want you to come with at least a pencil and notebook, examples of music you have sung or would like to learn, and perhaps a portable cassette tape recorder and blank tape.

Your teacher will use the first few voice lessons to get to know you and your skills, almost like a job interview. He or she will probably start by asking you to sing a song you know well, and will then listen to your tone and observe your posture and breathing. The instructor will then ask you to vocalize various exercises, such as singing scales or arpeggios on various syllables (“ah”, “hee”, “voo”, etc.), to evaluate your range and resonance.

The teacher will share his or her assessment of your voice and pinpoint areas in need of improvement. A good voice lessons instructor should be sympathetic and supportive, not hypercritical, recognizing that he or she was once a student just like you.

After the first few sessions, most voice lessons will follow a similar pattern. The teacher will review what you did at your last lesson, have you demonstrate your progress, and give you feedback on how you’re doing. If you are having problems, he or she will show you how to overcome them. If one particular exercise doesn’t work for you, the teacher should have a repertoire of others to try.

After the warm-up and technique exercises, the remainder of your voice lessons class will be spent working on one or more songs. You and the teacher should collaborate in choosing the songs you will work on. The instructor should respect your preferences, but you need to respect his or her knowledge and experience when considering suggestions.

After all, you’re paying your voice lessons teacher to help you build specific skills, and you need to trust his or her expertise. Some songs you like may not be well-suited to the skills you need to learn.
Most voice lessons instructors emphasize that, when learning a new song, the process will be similar for any type of material. To help you learn the melody, the teacher will probably have you hum it or sing it on a single syllable, such as “loo” or “va”.

You may also be asked to “buzz” the melody (produce the tone through puckered, vibrating lips) to work on phrasing and breath support. If the song has multiple sections, such as verse and refrain, you will most likely do just one section at a time. Most voice lessons instructors do this often if a singer is not familiar with the song dynamics.

When you have learned the melody on a hum or syllable, then you will begin to sing the actual lyrics and work on dynamics (loudness/softness), diction, and expression.

A side benefit of enrolling in voice lessons is the chance to meet other students, even if it’s just a passing exchange. There is a sense of camaraderie that comes from knowing other students are grappling with the same challenges and obstacles.

Many of the best voice lessons programs hold an annual or semi-annual group recitals for their students. This gives everyone the opportunity to demonstrate what they have learned, and also teaches you how to deal with performance anxiety (“stage fright”).

A good voice lessons teacher can give you a strong foundation from which to begin the musical journey of your life.

That may sound a bit odd, but it’s true. Air is what fuels the singing process, and how that air moves through your body is one of the main determinants of the quality of the result. You need to be able to control the rate of air passage out of the body, and you want to be able to hold notes as long as necessary without becoming breathless.

Breath Control Vocal Voice Training -Taking Control of Your Breathing

When you begin vocal voice training, the first step is learning how to control the release of air from the lungs. What makes breathing for singing so different from breathing for talking is that you need to manage the air release depending on the words and notes you are using.

In other words, when you breathe normally, you have no specific pattern or need for air at a specific moment. You just breathe. When you sing, the air you exhale must be controlled so you don’t run out of air too soon in the middle of word sets. The only way to ensure that you can match the exhalation process to the singing is to learn control.

Below are a couple of beginning breath control vocal voice training exercises that focus on the abdomen muscles, which control how fast air is expelled during the exhalation process.

Breath Control Vocal Voice Training – Exercise 1

Stand using good posture
Place your feet approximately shoulder width apart
Extend both arms out until they are perpendicular to your body
Turn the palms down
Breathe in for 3 to 4 seconds
Hold your breath for 3 to 4 seconds
Breathe out for 3 to 4 seconds

Breath Control Vocal Voice Training – Exercise 2

Stand using good posture
Place your feet approximately shoulder width apart
Breathe in deeply
Exhale as long as possible while making a hissing sound

These two simple breath control vocal voice training exercises teach you to control the release of air. In the first exercise, you can begin increasing the amount of time you spend inhaling and exhaling air. This will increase lung capacity and teach you to control the time it takes to release air.

In exercise two, you are learning to release air steadily. You don’t want your breath coming out in short bursts or gasps, as that is completely contrary to the act of singing, which requires a steady stream of connected sounds.

Breath Control Vocal Voice Training -Training Your Breath

Most vocal voice training begins with breathing training first. There’s a good reason for this: songs have specific notes that require paced, timed breathing.

For example, long notes require extended steady exhalation without interruption. The range of pitches that you must glide through when singing also requires breathing control.

You should do your breath control vocal voice training exercises regularly until the techniques become almost like second nature. When singing, you won’t even have to think about your breathing pace or holding notes, because those things will come naturally.

There are a number of available breathing lessons that will expand your capacity during vocal voice training. While you are working on your breathing control, you also want to concentrate on avoiding tension. In other words, try not to exhale air to the point where tension is created in the vocal cords because you are trying to force air out that doesn’t exist.

If you’re rehearsing a piece that calls for the extremes of your range, you will choose vocal exercises geared toward that. If the material has a lot of fast runs or trills, you will do flexibility exercises. For a piece with many sustained notes, you would want to work on breath support and control. This article will suggest vocal exercises for a variety of purposes.

Vocal Exercises for Low Range

If you’re an alto or bass, these vocal exercises are for you. They may also be beneficial if you’re a soprano or tenor singing a part that’s lower than your usual range.

Descending octave slides. Do this vocal exercise by starting on a comfortable pitch in the middle of your range. Using the buzz (also called bubble lips or lip roll), slide down the scale one octave from your starting pitch, moving down by half steps. You can also do this on various vowel sounds or syllables, such as “oo”, “ah”, “vee”, “voh”.

Fifth slide. Do this vocal exercise by Using the buzz or the syllable “vaw”, start on a comfortable pitch and go down a fifth (so-do), moving down by half-steps. Then add a third tone, back up to the starting pitch (so-do-so). Again, move down by half-steps. Finally, reverse it (do-so-do).

Vocal Exercises for High Range

These vocal exercises are especially helpful for sopranos and tenors, but altos and basses can also use these exercises if they need to work on their high range.

Up and down arpeggios. This vocal exercise can be done in a simple broken chord up and down: do-mi-so-do-so-mi-do. Move upward by half-steps with each succeeding repeat, using the buzz or your favorite vowel sound or syllable.

Upward arpeggio and downward octave with turn. This is a slightly more complex variation of the previous vocal exercise. Sing the upward arpeggio (do-mi-so-do), then do a turn (ti-do-re), then the 8-tone descending octave scale from do to do. Use vowel sounds; do a few on “ee”, a few on “oo”, and a few on “ah”. Start each new arpeggio a half-step higher than the last one, as shown in the pattern below.

ee—————————————–
oo—————————————– etc.

Upward arpeggio with repeated high note. This vocal exercise is another variation of the arpeggio, this is especially helpful with keeping a light tone on the high notes. Using the syllable “ha”, sing the upward arpeggio (do-mi-so-do) and then repeat the high do, staccato, five or six times. See the pattern below.

Vocal Exercises for Flexibility

Ascending triplet scale. This vocal exercise is complicated to explain, but easy if you read the notes below. Using the solfege syllables (do, re, mi, etc.), sing an eighth-note triplet upward starting on each syllable. When you get to the top of the scale, reverse and sing each triplet downward. Sing the exercise as rapidly as you can.

Ascending and descending thirds. This vocal exercise is easier to sing than to explain. Starting on the base note, go up a third, down a whole step, up another third, etc. until you reach the fifth tone, then reverse and go back down a third, up a half step, down a third, up a whole step, etc. Again, sing it as fast as you can.

Rapid repeated up and down five note scale. This one is simple—just go up and down a five tone scale (do-re-mi-fa-so-fa-mi-re-do) and repeat.

Vocal Exercises for Breath Support and Control

Buzz-slides. The buzz is one of the best vocal exercises for breath support. Start on a mid-range tone and slide down a fifth—so-do. Repeat several times, moving down by half-steps. Then buzz the descending triad—so-mi-do–sliding between tones. Again repeat several times, moving down by half-steps. Finally, buzz a five-tone descending scale—so-fa-mi-re-do.

Messa di voce. For this vocal exercise, sing a comfortable mid-range pitch on “ah”. Sustaining the note, begin very softly and get gradually louder, then softer again.

Good singing is much more than just belting out notes. You must control the notes so they express a warm, pleasing quality. It’s difficult to develop this skill without the guidance of professional vocal training teachers because these singing qualities are only created through correct vocal placement.

Vibrato Means Vibrancy so Learn Vibrato with Vocal Training Lessons

Most vocal training lessons teach how to manage vibrato. Vibrato refers to the note fluctuations that add vibrancy to the sound. Anyone can sing a flat, off-key tune, but developing vibrato requires an understanding of how to bring out natural voice quality without any trembling sound.

Vocal training teachers are often of the opinion that this is a rather elusive, yet very real, concept. The warmth in the voice is achieved through controlled breathing to create a regular pitch change. It’s not a tremor, but rather a nuance in pitch that almost pulsates. Vibrato is usually found in older voices, but not always.

The sense of emotion comes from the variation in the pitch when vibrato is present. Of course, you will not always want vibrato, and this is fine. Because it is controlled by breathing, vibrato can be expressed or not and this will be taught in most vocal training courses. When managed correctly, it can add an interesting quality to any song.

Learn Chest Voice and Head Voice with Vocal Training Lessons

When you take vocal training lessons, you will also learn about vocal registers, also referred to as ”chest voice” and “head voice”. Register recognizes that a particular section of the vocal folds will create a vocal quality. This is another somewhat elusive concept, but one that is used frequently by singers.

The two main types of registers are the chest voice and the head voice—but don’t get confused by the term “chest voice” when you first come across it in your vocal training classes. It really means a tone quality or timbre that resonates in the throat or sternum. Produced by vocal cords that tend to be thicker and vibrate slower, the chest voice has a heavier sound.

The head voice, on the other hand, is a tone quality with a lighter timbre that seems to emanate more from the head. There is no feeling in the chest when this sound is made. Produced by thinner vocal cords that vibrate rapidly, a head voice is clear and carries a greater distance than a chest voice.

The even voice refers to a balance of the chest voice and the head voice. It is important to blend registers so that the voice does not strain trying to hold in one register place. With vocal training lessons, you can learn to smoothly transition between registers with a break.

Learn Smooth Transition with Vocal Training Lessons

Teaching the smooth transition of sounds is one of the goals of vocal training lessons. Concepts like vibrato, chest voice, and head voice are not easy to master alone. There are different exercises you can do to improve your ability to manage voice pulsations and to blend registers.

The best singers do not have sudden, jarring shifts in their sounds, but they do project emotion, mainly by controlling their timbre and voice registries. These types of qualities are what infuse a voice with fullness, warmth, and personality. Learn all this by enrolling in vocal training classes near you or you can try free vocal training lessons online.

Singing Tips –Take a Lesson

You may think this singing tip is only for beginners but even if you’ve had extensive training in the past, it’s always helpful to get fresh, objective advice. Maybe you’ve slacked off on your breathing exercises, or fallen into bad vocal habits. Call your former teacher and schedule a “tune-up” lesson. Most professional singers and even singing teachers still get occasional lessons.

Singing Tips — Mix it Up

If you have been focusing exclusively on one technique or type of song, try something different, try this singing tip and mix your songs. Pull out one of your favorite recordings from high school and sing along with it. Choose a new song to learn, perhaps one in a style you haven’t done for awhile. When you return to your usual routine, it won’t seem so stale.

Singing Tips — Do a Self-check

Doing a self-check is our singing tip number 3. You can do this by reviewing the fundamentals and make sure you’re still using good posture, breath support, and tone placement. Check for any unwanted tension, especially in your face and neck, as this can detract from your sound and make singing less fun.

Singing Tips — Relax

Here is another one you may think belongs to singing tips for beginners, but professional singers are more successful with their careers when they are relaxed when singing. Start each practice session and performance warm-up with simple stretching and relaxation exercises. One easy relaxation exercise is the “rag doll”. Standing with your feet about hip-width apart, bend forward from the hips and allow your arms, head, and upper body to hang loosely. Shake your arms and head a bit, then let them dangle again. Relieving tension can make a huge difference.

Singing Tips — Get Some Exercise

This singing tip is mostly useful for those who have a hectic performance schedule, you may have gotten out of your regular fitness routine. If you are touring, most hotels have workout facilities; if not, simply take a walk. If the weather is inclement or you’re in an unfamiliar city, you can walk in the hotel hallways. Unless you’re toting equipment, use stairs instead of elevators.

Singing Tips — Pamper Yourself

Spend some time in a hot tub, get a professional massage, treat yourself to a favorite dessert, or re-read a favorite book. Indulge in any small luxury; it doesn’t have to be expensive.

Singing Tips — Have a Jam Session

Get a group of musician friends together for an informal jam session and play some old favorites. Avoid performance material and just have fun! You may want to include a casual dinner, and ask everyone to bring part of the meal so nobody has to do all of the work.

“Wait a minute,” you may be thinking. “So far, only half of these so-called ‘singing tips’ involve actual singing!”

That’s right, but think of it this way: when a guitar gets hard to tune, you replace the strings. When a piano gets out of tune, you call in a tuner. As a singer, your instrument is your body. When your voice gets out of tune, you need to perform the proper maintenance.

When your body is in good shape, you can return to your singing routine with new energy and enthusiasm. Choose some fun new material to work on and jump back in. Review your fundamentals and take the advice you received in your “tune-up” lesson, and you should be back on track.